Scoville Units Unite

21 May

Review: Onsind – Dissatisfacton

Album available at name your price with a minimum of £0

ONSIND are an acoustic pop punk band from Durham. Their name is in reference to the lack of abortion facilities in some areas of America.

I recently attended a gig put on by the Make That a Take DIY (anti-sexist, anti-racist, anti-fascist and anti-homophobic) collective in Dundee featuring ONSIND and was blown away at how incredibly good their set was. Their gig had more people at it and more politics in it than most public meetings by parties.

The album is a really nice package which contains liner notes including full lyrics and each song accompanied by a quotation. Philosophers have only interpreted the world…the point is to change it – Karl Marx should give another taster at their lyrical content which also mentions weighty lefty tomes. The majority of the song are two male vocalists, one lead; one backing with acoustic guitars. Occasionally other instruments and backing singers pop up. But it should certainly be a more accessible punk album to those who don’t normally listen to the genre or it’s millions of sub-genres.

The album opens with the lines Homophobes are terrified to admit that during their lives there have been moments where they’ve wavered in their minds on the track heterosexuality is a construct. It fills you with incredible hope to be a straight male in a crowd of 90% straight males singing along to I’m not a heterosexual man, I’m not ticking your boxes, that’s not who I am and love is not a crime. To quote a recent comment on Twitter Yes, I support gay rights. No, I’m not gay. I’m against deforestation and that doesn’t make me a tree.. These kinds of attitudes and behaviour are surely a massive step forward and something possible in the kind of space provided by Make that a take that you may not get in less socially conscious live music spaces. Normally punk/metal/alternative shows are filled with macho posturing men faux fighting with their male friends. Most times it’s fine but sometimes it can spill over into the rest of the crowd and drives everyone else to the back of the venue or out of the music scene altogether.

Either he’s dead or my watch has stopped is essentially a call for revolution and referencees the Royal Bank as being a source of our woes.

We have nothing to lose but our chains…I’m just another naïve prole, with revolution on the mind, but I’d fight a line of riot police if it’d help to clear the sky…Melancholia and Marxism, this must be where I belong…I’d bomb the Royal Bank if it’d blow the clouds away

The other essential track to hear is That Takes Ovaries. A call at arms for men to help smash patriarchy from our position of burden and privilege as something more productive [to do with] all that spare testosterone you have to throw around. A welcome addition to the discussions around feminism and patriarchy I’m sure you’ll agree.

The closing song I could carve a better man out of a banana tells the story of a female victim of domestic violence resorting to killing her abuser. she took a knife and drove it through his back with all the strength she had left – the first song the band ever recorded showing from the start they intended to set powerful political lyrics to tunes.

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